Friday, December 11, 2009

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Sunday, November 22, 2009

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Tuesday, November 3, 2009

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possible cities are urban emotions, I find in my city and many others .. . I keep cities, the pieces recovered and the missing pieces.

The possible city have the color of emotion, feelings. Today is red with rage, tomorrow is a serene blue as the sea lavender as the early morning hours, before going to sleep; dark as the loneliness of endless night.

describe these cities mean to put words to emotions, change cities, towns created every day, disappear, reappear, are so real and yet I doubt whether there really, as invisible cities of Kublai Khan.

never actually seen a territory, if not through a long story like Marco Polo, an invention, a justification of my thoughts, my fears, my desires.

a territory, a city built on my imagination, adapted to the need to live a little here, a little there ... divided between what we do and what I wanted to do, between what I want and desire, half passion, half anguish, half reason, half dream.

As its urban image, its architecture?

is a chaotic city, traversed by avenues of emotions, and rivers of existential questions, to build communication bridges between the parties, with great strengths and subtle small streets where you walk sideways and not allowed to run.

These streets oppress but you may feel a deep breathe fresh air looking up, and if you breathe with great force by flying ... And you can see the city from the top, just flat, just agena.

Without the excitement of the streets, without the doubts of its rivers, without the oppression of their limited strengths streets, is a city like so many. Only with the ability to fly is that we have this look, the subtle flight and imagined, real and invented allowing another point of view.

say that in this city only a few can fly and have that look rational a breath of air to analyze and re-engage in the city.

Saturday, August 29, 2009

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urban Emotions and music City: urban spontaneity?

Spontaneity or test scheduled ... gives the city a change, a transformation momentary or permanent, I do not know ... Who spends

distracted and attracted by the music ... Who is attracted by the dance, who dares, who escapes ... but something happens, something vibrates in our fiber, something happens to us ... something different in our routine.

No news is that we seek?, Is not that we need the surprise of the unexpected to survive the daily grind? Because even scheduled, but we never did, you can transform in development for the spirit ...

A dance, a city, music, people, everything is different at that time, we are all part of the work, all left the stage, all .... eventually return to our rightful position.
The timing seems almost unreal, not ours, takes us into a timeless dimension, but perhaps necessary to continue with the tasks of every day ... Then forget ... and this is the prerequisite for us to become a surprise .... another day, another dance, another music, another surprise ... I cheer? I do not dare?

how it works? Spontaneity or test scheduled?

Each is the actor in his own world, transformation to a temporary or permanent measure depends only on us ... or what triggers that are manifestations of how urban and Convens us that fiction is real part ... because the lure, and changed our time and our routine.

Friday, August 14, 2009

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The city and the music: urban spontaneity? Cities and

Thursday, July 16, 2009

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eclipse Puerto Madero: actual and potential space


What are the surgical tools of Puerto Madero that contribute to the discussion of knowledge on ways to operate in other empty spaces "expectant" of the contemporary city?

Puerto Madero is a particular experience within the framework of coastal experiences, what makes it unique in itself, but also as mentioned earlier, prototypical.
Its location and condition of the extension was within the city's role as an image and emblematic element, as a contradiction to be part while the external space cotideaneidad but undoubtedly became the space of interest place of tension and "play" potential.
This role of "play" with different interpretations throughout history, is what made possible as a category of urban fragment and "strategic part" of transformation for the city.

Puerto Madero The operations took place in a democratic context, the institutional framework, participatory concensual, that beyond the results, it becomes a fundamental and necessary stage for the freedom to operate, encouraging research and innovation for the design of new management tools in the challenge of a new disciplinary framework.

management and reflection show strategic guidelines for the design of effective action to maximize strengths and minimize weaknesses in the context of analyzing the opportunities and threats in the area. This new mode of operation provides a complete set of procedures and tools that can help managers of public organizations to understand and address the recent changes in their environment.

Spaces evocative, waiting now build another space and another city. The permanent elements of Puerto Madero, its cranes and brick buildings are those that allow recall its past history and also in relation to the new, the processing and the present movement. The new modes of operation favor the debate, recognizing the change and reinterpret the impact caused by these spaces, not as empty expectant and "desired" but as real spaces and "possible"

of the research "Puerto Madero: actual and potential space," presented at IVCongreso ARQUISUR, Argentina

Wednesday, July 8, 2009

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My city is constructed as a collage, a city there are all and it is no.

Need to find a city as possible, away from my city? Need to bring together the parties? No, each city is to recognize some of my place, and remove as part of building another city, but own less dream and therefore more real, less desirable and perhaps .... possible.

When I Venice, nothing was unknown to me was part of me, family ... from my eyes admired architect Venice, but I found myself moved, wrapped in a magical feeling. Venice
That was really thrilled me the Venice of the stories with which I built another city, loved long before, through those who loved ... Because each described to me a part from his view, I conveyed the excitement of living, the magical feeling of exploring it.
And thanks to those who described before, is that I already knew Venice ...
Upon arrival I felt a sense curiosity to discover, to verify that it was the same Venice and at the same time different.
know Venice was a strange experience for me as a game: exploring the city imagined in the real city, lost in a maze of paths known and recognized by dint of returning to the same place, a magical game, exciting, and perplexing PREVESE, a game, a city ... possible, every time.

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Saturday, July 4, 2009

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Thursday, July 2, 2009

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POSSIBLE CITIES

possible cities are our history, are our projects, our experiences are our maps are the city desire and the city that we are the city planned and built, are the city and the city inhabited empty ....
... spaces empty and expectant, another city built today.

New ways of operating encourage debate and reinterpret the impact caused by these spaces, not as empty expectant and desired, but as real spaces and possible . WHAT IS YOUR CITY POSSIBLE?